Tag: Catherine Keener
On Lady Gaga’s Harley Quinn as An Exemplification of Being a Poverty/Mental Illness Tourist
While people have chosen to lambast Joker: Folie à Deux for all the wrong reasons (mainly because it doesn’t fit in any way with the [Read More…]
Bad Romance: Joker: Folie à Deux Shows That Projection in Relationships Always Results in Dashed Expectations
In many ways, the real reason the sequel to Joker is called Joker: Folie à Deux has little to do with a shared delusion between [Read More…]
Joker: Folie à Deux: The Symbol Becomes More Powerful Than the Real Person Behind It
It was Todd Phillips himself who said that Joker was never intended to have a sequel. In many regards, that’s not what Joker: Folie à [Read More…]
Living In Oblivion Parodies Indie Filmmaking Being Just As Impure As Major Budget Movies
The 90s. Arguably the time when indie filmmaking was at its peak definition of “indie,” in terms of major Hollywood actors suddenly wanting to get [Read More…]
Hollywood (Really Jordan Peele) Miraculously “Gives” Black People Collective Revenge in Get Out
There is a question earnestly posed by the protagonist of Jordan Peele’s Get Out, Chris Washington (Daniel Kaluuya), after he is met with an extremely surreal overture [Read More…]
Steven Soderbergh & The Art of Voyeuristic Film in Full Frontal
Full Frontal is easily Steven Soderbergh’s least loved film. Not only did it follow the well-received Traffic and Ocean’s Eleven, but it also somewhat falsely [Read More…]
