The Pros and Cons of “Like A Prayer” in Deadpool & Wolverine

Madonna hasn’t been shy about wanting her music catalogue to be appreciated by “the next generation.” In a 2022 interview with Variety, she even stated as much explicitly: “I’m just looking for interesting, fun ways to rerelease my catalogue and introduce my music to a new generation.” And yes, that was the same interview during which she also added that she had no intention of selling her back catalogue to anyone (as a slew of other “legacy artists” have done of late) because, as she remarked, “Ownership is everything” (an aphorism that has decidedly neoliberal overtones—something Taylor Swift can obviously get on board with).

As for funneling her music into the ears of a younger generation, it goes without saying that she’s been a fairly noticeable TikTok proponent, engaging with the various trends and challenges of the moment. In 2022, Madonna even experienced a viral blip on the app with, of all things, an unreleased demo called “Back That Up to the Beat” (which was initially composed during her Hard Candy era before making it onto 2019’s Madame X as a bonus track). But her most “interesting” method of reaching a new generation, of late, has been to license “Like A Prayer” for use in Deadpool & Wolverine, the third installment in the Deadpool series of films starring Ryan Reynolds.

In terms of how that particular single came to be such “a thing” for the movie, Reynolds explained during an interview for Live with Kelly and Mark, “‘Like A Prayer’ has been stuck in my head for six years with respect to this movie, and its application—how we use ‘Like A Prayer’ in the movie is exactly what I’d been thinking about for six years. The problem [was], like, I put it in the script, I built stuff around it and I hadn’t yet asked for permission to use it.” In another interview discussing the song’s use, Reynolds added, “It was a big deal to ask for, and certainly a bigger deal to use it. We went over and met with her and showed her how it was being used and where and why.” (Somehow, one doubts that Harmony Korine did the same for a scene in 1997’s Gummo.)

But, more than anything, it was “one of her sons” (though it’s unclear if that means Rocco Ritchie or David Banda) being a fan of Deadpool that incited Madonna to take the plunge on licensing such a timeless, beautiful song for a Marvel movie. As Kayla Schaefer (Megan Stalter) on Hacks puts it in season three, “Executives love listening to their kids.” In this case, that executive is Madonna, the CEO of all things Queen of Pop-related. And yet, taking advice from others on what to do with her image and work hasn’t always gone according to plan (think: her strong affiliation with the Bored Ape Yacht Club).

In this scenario, the consequence of “lending” “Like A Prayer” to such a specific and highly commercial cause is twofold. On the one hand, Madonna has achieved her aim of infecting the minds of a younger generation as that “Like A Prayer” scene makes the rounds on TikTok. On the other, now little ignorant assholes are referring to the track as “the song from Deadpool,” not seeming to comprehend how reductive and disrespectful it is to the true majesty of the work. Maybe Madonna didn’t totally account for how “giving” the song to Reynolds would result in it being subsequently forever associated with 1) a fight scene where Deadpool and Wolverine take on a wide range of other Deadpools and 2) a scene where Hugh Jackman’s abs are prominently focused on as the duo works to prevent the Time Ripper from destroying all timelines.

Neither scene, of course, really suits the lyrics of “Like A Prayer,” apart from, one supposes, “I can feel your power” (and perhaps taking it as an overall nod to Deadpool being “Marvel Jesus”). But maybe, beyond that, Reynolds was going for a certain “tone,” and “Like A Prayer” fit the bill more than anything else he could come up with. Even though, in truth, there are many other Madonna songs that might have better embodied the vibe, including “Frozen,” “4 Minutes” and “Give It 2 Me.” Alas, Madonna’s “later” work is rarely as lauded or appreciated as the material she released before the mid-nineties. And when it comes to Marvel movies, choosing the song with the most wide-ranging appeal is the name of the game. Hence, using one of her biggest hits from, what else, the eighties (just as Deadpool 2 used one of Cher’s biggest hits from the eighties, which brings us to another pro: “Like A Prayer” has blatantly usurped “If I Could Turn Back Time,” Deadpool-wise).

Evidently wanting to get their mileage out of shelling out to license the track, Reynolds as Deadpool even makes a comment about it after emerging from his death brush with Wolverine to inform everyone, “You put a Deadpool and a Wolverine together, make ‘em hold hands while listening to Madonna: indestructible, motherfucker.” Sort of like Madonna herself, who has continuously “reanimated” (a.k.a. reinvented) during every decade of her career to show that her ability to adapt to each new era (whether that means embracing certain technology, apps or, now, film franchises) itself informs her own eras—which then inform pop culture itself. And the cycle goes on and on…presumably in every timeline.

The major drawback of that, however, is that, as she angles to get her back catalogue into the ears of new listeners (perhaps aware that only the true die-hards are more interested in her releasing new music), she is left with little choice but to dilute the integrity of the original product. And that’s a big digression for someone who once defiantly told her father when he asked of her Blond Ambition Tour, “Can’t you tone it down a bit?”: “No, because that would be compromising my artistic integrity.” This being precisely what Madonna has done (though not for the first time) in opting to have “Like A Prayer” so heavily featured in Deadpool & Wolverine. But maybe it’s better to have the song remembered for being in the latter than its conspicuous use in the recent fail that was The Idol (which Madonna likely did as a favor to The Weeknd in the midst of working on “Popular” together for that soundtrack).

And, on the note of “failure,” it’s a good thing, for Madonna’s sake, that Deadpool & Wolverine has surpassed the box office receipts of the first two movies—lest Madonna somehow get blamed for being “box office kryptonite” (though that’s technically a DC word) even when she’s not actually in the movie.